American Doll Posse is the ninth studio album (2007) by singer-songwriter Tori Amos. Like her previous albums Strange Little Girls (2001) and Scarlet's Walk (2002), American Doll Posse is a concept album, which entails five female personae Amos developed based on Greek mythology. Musically, the album is a drastic departure for Amos. Having stated that the box set A Piano: The Collection (2006) was the summation of her previous work and the end of an era, the album elicits a new chapter in her career and is her heaviest, most rock-influenced album to date.

American Doll Posse serves as Amos's third and final album under her contract with Epic Records, as Amos announced a year after the album's release that she would be operating independently of major record labels.

Development

Following songwriting during and after Amos' five-month solo tour in 2005, recording sessions commenced in June 2006 with longtime collaborators Matt Chamberlain on percussion, Jon Evans on bass, and Mac Aladdin on guitars at Martian Engineering in Cornwall, like all of Amos' albums since From the Choirgirl Hotel (1998). Due to the musical composition and nature of the album, Amos' principal band mates were present in the recording studio from the beginning of the recording session. After a month of tracking work, Amos continued editing and recording for the remainder of the year, as well as working on the promotion for her career-spanning box set A Piano: The Collection. Mixing work was completed by February 2007, and the album title was announced through a press release on February 20.

Prior to its release, Amos revealed that the album is political in nature:

While Amos had hinted that she may bring back both the harpsichord (last used on Boys for Pele) and the Wurlitzer (used on Strange Little Girls and Scarlet's Walk), only the latter appeared on the track "Dark Side of the Sun". Before the album's release, she made several comments about bringing a "warrior woman" out, as well as stating that the record would be a very different chapter from what has come before.

The Doll Posse

The "American Doll Posse" of the title consists of five different female characters that Amos developed, representing different aspects of her own personality:. Retrieved April 22, 2007.

Posse members

Posse blogs

As part of the marketing campaign, a series of blogs written by each character circulated on the Internet on various websites, with fans invited to "hunt" for the blogs. The blogs were updated during the tour through the end of 2007.

Singles

"Big Wheel" was released as the album's first radio single in the United States prior to the album's release. Multiple radio stations refused to give the song any air time because the acronym "MILF" is repeated in the bridge of the song. Despite the acronym, the single was successful on Triple A radio. Epic Records re-issued the single with the "MILF" bridge replaced with Amos singing "MI-MI".

"Bouncing off Clouds" served as the first single in Europe and as the second single in the United States. "Almost Rosey" was released as the third single as an internet-only release through MySpace. Following the trend set by her previous releases with Epic as dictated by general music industry trends, all three singles released from American Doll Posse were promo-only singles, no commercial singles were produced.

Sales and chart performance

Upon its release in the US, the album entered the Billboard 200 at # 5, selling 54,000 copies, making it her sixth album to debut in the US Top 10 Albums chart. Twenty-five percent of the first week's sales were digital sales, an increasing figure as per general market trends. The album remained on the Billboard 200 for six weeks with its final position at # 186 for the week of June 23, 2007, before falling off the chart. One year after its release, the album has sold 152,000 copies in the US, according to Nielsen SoundScan.

The album's debut at # 5 is the same debut position as The Beekeeper (2005), but with American Doll Posse selling fewer units. This decrease in sales is partially explained by the overall decline of sales in the music industry. At the time of the album's release, overall music sales for 2007 were down over 16% than the previous year's sales.

Limited edition copies of the album were ruled to be ineligible for the UK Top 40 sales chart due to the inclusion of free art cards depicting each of the Posse members. According to an article on Amos' site, Amos chose not to issue a reduced packaging version of the special edition (as had been done with Scarlet's Walk). As a result, the album's UK debut at # 50 is based only upon sales of the single-disc standard version of the album.

The chart below lists the album debut positions (within the top 20) in major markets around the globe.

Release history

As with Amos' previous releases under the Epic Records label, American Doll Posse was offered in a limited edition, which includes two videos (a behind-the-scenes of her photo shoot and a slide show-style bonus track titled "My Posse Can Do"), an expanded booklet, and five postcards, one of each "doll".

iTunes offered a free bonus track, "Miracle", and a Ticketmaster concert pre-sale code for anyone who pre-ordered either version of the album. Standard edition versions of the album purchased from Borders included a code to download a different bonus track, "Drive All Night", while albums purchased at Target were accompanied by a poster featuring the five "dolls".

The chart below lists the release dates for American Doll Posse in major markets around the globe.

Personnel

*Isabel – vocals on tracks 1, 7, 11, 18, 20

*Clyde – vocals on tracks 3, 9, 16, 17, background vocals on track 5

*Pip – vocals on tracks 4, 8, 12, 19, 22, background vocals on track 15

*Santa – vocals on tracks 6, 10, 12, 14, 23, background vocals on track 3

*Tori Amos – vocals on tracks 2, 5, 13, 15, 21, background vocals on track 20, Bösendorfer piano on tracks 1-7, 9-10, 12-23, electric piano on track 3, Fender-Rhodes on tracks 7, 13, 23, upright piano on track 17, Wurlitzer on track 20, clavichord on track 22, Mellotron on track 23

*Matt Chamberlain – drums & percussion on tracks 2-7, 9-10, 12-13, 15-18, 20-23

*Jon Evans – bass on tracks 2-7, 9-10, 12-13, 15-18, 20-23

*Mac Aladdin – electric guitar on tracks 2-8, 10, 12-13, 15-18, 20, 22-23, ukulele on tracks 7, 11, electric 6 and 12 string guitars on tracks 10, 13, 18, 20, mandolin on tracks 11, 19, acoustic guitar on tracks 11-12, 15-16, 20, ebow guitar on 22

*Edward Bale, Matthew Elston, Holly Butler, Rosmary Bank – string quartet on tracks 9, 14

*John Philip Shenale – string arrangement on tracks 9, 14, brass arrangement on track 14

*Nick Hitchens – tuba, euphonium on track 14

Tour

The first live performance of the new material took place on April 10, 2007 for Radio Eins in Berlin, Germany, where Amos performed six songs solo on piano - "Silent All These Years" and "Leather" from 1992's Little Earthquakes as well as four songs from the new album - "Velvet Revolution," "Father's Son," "Beauty of Speed," and "Almost Rosey."

The full band tour for American Doll Posse commenced on May 28, 2007 in Rome, Italy. The European leg of the tour ended with a show in Ra'anana, Israel on July 21, 2007. The Australian leg of the tour, which commenced on September 10 and lasted the rest of the month, was followed by the North American leg which began October 9. The tour ended on December 16, 2007 in Los Angeles, CA. Amos, using a Bosendorfer piano, Yamaha synth, and Hammond organ, was backed by Matt Chamberlain (drums), Jon Evans (bass), and Dan Phelps (guitar).

As hinted before the tour began, one of the four alter-egos, complete in her own unique wardrobe, opened each show, performing as many as seven songs, followed by a costume change with Amos taking over as herself for the remaining two-thirds of the show. Three exceptions were the San Diego and Los Angeles shows, where two dolls opened, and the Anaheim show, where two dolls opened and one of them returned for the encore.

See also

* Legs and Boots

References

Category:Tori Amos albums

Category:2007 albums

Category:Concept albums

Category:Epic Records albums

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Artist/Band Information

Tori Amos (born Myra Ellen Amos; August 22, 1963) is an American pianist and singer-songwriter. She was at the forefront of a number of female singer-songwriters in the early 1990s and was noteworthy early in her career as one of the few alternative rock performers to use a piano as her primary instrument. Some of her charting singles include "Crucify", "Silent All These Years", "God", "Cornflake Girl", "Caught a Lite Sneeze", "Professional Widow", "Spark", "1000 Oceans", and "A Sorta Fairytale", her most commercially successful single in the U.S. to date.

As of 2005, Amos had sold 12 million albums worldwide. She has been nominated for 10 Grammy Awards.

Early life

Amos was born in Newton, North Carolina. When she was two, her family moved to Baltimore, Maryland, where she began to play the piano. By age five, she had begun composing instrumental pieces on piano and, while living in Rockville, Maryland, she won a full scholarship to the Preparatory Division of the Peabody Conservatory of Music. Her scholarship was discontinued at age 11 and she was asked to leave. Amos has asserted that she lost the scholarship because of her interest in rock and popular music, coupled with her dislike for reading from sheet music. At the age of 14 she began playing at piano bars, chaperoned by her father.

Amos first came to local notice by winning a county teen talent contest in 1977, singing a song called "More Than Just a Friend". As a senior at Richard Montgomery High School, she co-wrote "Baltimore" with her brother Mike Amos for a competition involving the Baltimore Orioles. The song won the contest and became her first single, released as a 7" single pressed locally for family and friends during 1980 with another Amos-penned composition as a B-side, "Walking With You". Prior to this period she performed under her middle name, Ellen, but permanently adopted Tori after a friend's boyfriend told her it suited her. At age 21, Amos moved to Los Angeles to pursue her music career after several years performing on the piano bar circuit of the D.C. area.

Atlantic years (1986–2001)

Y Kant Tori Read

In 1986, Amos formed a music group, Y Kant Tori Read, the name of which was a reference to her days at the Peabody Conservatory, where she was able to play songs on her piano by ear, but was never successful at sight reading.David Wallechinsky & Amy Wallace: The New Book of Lists. Canongate, 2005. ISBN 978-1-84195-719-7. In addition to Amos, the group was composed of Steve Caton (who would later play guitars on all her subsequent albums until 1999), drummer Matt Sorum, bass player Brad Cobb and, for a short time, keyboardist Jim Tauber. Following several phases of writing and recording, during which Amos has since asserted that the band lost their musical edge and direction due to interference from record executives, in July 1988, the Y Kant Tori Read's self-titled debut album was released. Although its producer, Joe Chiccarelli, has stated that Amos was very happy with the album at the time, it is now out of print and Amos has expressed no interest in reissuing it. Following the album's commercial failure and the group's subsequent disbanding, Amos began working with other artists (including Stan Ridgway, Sandra Bernhard, and Al Stewart) as a backup vocalist. She also recorded a song called "Distant Storm" for the film China O'Brien; in the credits, the song is attributed to a band called Tess Makes Good. It was the only song recorded by the band, and its only commercial release was in the film.

Solo career

Despite the disappointing reaction to Y Kant Tori Read, Amos still had to comply with her six record contract with Atlantic Records, who in 1989 wanted a new record by March 1990. The initial recordings were declined by the label, which Amos felt was because the album had not been properly presented. The album was reworked and expanded under the guidance of Doug Morris and the musical talents of Steve Caton, Eric Rosse, Will MacGregor, Carlo Nuccio, and Dan Nebenzal, resulting in Little Earthquakes, an album recounting her religious upbringing, sexual awakening, struggle to establish her identity, and sexual assault.

Amos traveled to New Mexico with personal and professional partner Eric Rosse in 1993 to write and largely record her second solo record, Under the Pink. The album was received with mostly favorable reviews and sold enough copies to chart at #12 on the Billboard 200, a significantly higher position than the preceding album's position at #54 on the same chart.

Tori Amos piano.jpgthumbAmos performing on her Dew Drop Inn tour in 1996.

Her third solo album, Boys for Pele, was released in January 1996. The album was recorded in an Irish church, in Delgany, County Wicklow, with Amos taking advantage of the church recording setting to create an album ripe with baroque influences, lending it a darker sound and style. She added harpsichord, harmonium, and clavichord to her keyboard repertoire, and also included such anomalies as a gospel choir, bagpipes, church bells, and drum programming. The album garnered mixed reviews upon its release, with some critics praising its intensity and uniqueness while others bemoaned its comparative impenetrability. Despite the album's erratic lyrical content and instrumentation, the latter of which kept it away from mainstream audiences, Boys for Pele is Amos's most successful simultaneous transatlantic release, reaching #2 on both the Billboard 200 and the UK Top 40 upon its release at the height of her fame.

Fueled by the desire to have her own recording studio to distance herself from record company executives, Amos had the barn of her home in Cornwall converted into a state-of-the-art recording studio, Martian Engineering Studios. Amos enlisted principal band mates Steve Caton on guitars, Jon Evans on bass, and Matt Chamberlain on drums, with whom Amos would record her next two studio albums and embark on world tours.

From the Choirgirl Hotel and To Venus and Back, released in May 1998 and September 1999, respectively, differ greatly from previous albums as Amos's trademark acoustic piano-based sound is largely replaced with arrangements that include elements of electronica, dance music, vocal washes and sonic landscapes. The underlying themes of both albums deal with womanhood, and Amos's own miscarriages and marriage. Reviews for From the Choirgirl Hotel were mostly favorable and praised Amos's continued artistic originality. While not her highest chart debut, debut sales for From the Choirgirl Hotel are Amos's best to date, selling 153,000 copies in its first week. To Venus and Back, a two-disc release of original studio material and live material recorded from the previous world tour, received mostly positive reviews and included the first major-label single available for sale as a digital download.

Motherhood inspired Amos to produce a cover album, recording songs written by men about women and reversing the gender roles to show a woman's perspective. That idea grew into Strange Little Girls, released in September 2001, one year after giving birth to her daughter. The album is Amos's first concept album, with artwork featuring Amos photographed in character of the women portrayed in each song. Amos would later reveal that a stimulus for the album was to end her contract with Atlantic without giving them new original songs; Amos felt that since 1998, the label had not been properly promoting her and had trapped her in a contract by refusing to sell her to another label.

Epic Records years (2002–07)

With her Atlantic contract fulfilled after a 15-year stint, Amos signed to Epic in late 2001. In October 2002, Amos released Scarlet's Walk, another concept album. Described as a "sonic novel", the album explores Amos's alter ego, Scarlet, intertwined with her cross-country concert tour following 9/11. Through the songs, Amos explores such topics as the history of America, American people, Native American history, pornography, masochism, homophobia and misogyny. The album had a strong debut, demonstrating that Amos' fan base remained intact through the label change. However, Scarlet's Walk is Amos' last album to date to reach certified gold status. Note: User must define search parameters, i.e. "Tori Amos".

Tori-amos-closeup-0b.jpgthumbAmos in Berlin in 2007.

Not long after Amos was ensconced with her new label, she received unsettling news when Polly Anthony resigned as president of Epic Records in 2003. Anthony had been one of the primary reasons Amos signed with the label and as a result of her resignation, Amos formed the Bridge Entertainment Group. Further trouble for Amos occurred the following year when her label, Epic/Sony Music Entertainment, merged with BMG Entertainment as a result of the industry's decline. Amos would later hint in interviews that during the creation of her next album, those in charge at the label following the aforementioned merger were interested "only in making money", the effects of which on the album have not been disclosed.

Amos released two more albums with the label, The Beekeeper (2005) and American Doll Posse (2007). Both albums received mixed reviews, some of which stated that the albums suffered from being too long. The Beekeeper was conceptually influenced by the ancient art of beekeeping, which she considered a source of female inspiration and empowerment. Through extensive study, Amos also wove in the stories of the Gnostic gospels and the removal of women from a position of power within the Christian church to create an album based largely on religion and politics. The album debuted at #5 on the Billboard 200, placing her in an elite group of women who have secured five or more US Top 10 album debuts. American Doll Posse, another concept album, was fashioned around a group of girls (the "posse") who are used as a theme of alter-egos of Amos's. Musically and stylistically, the album saw Amos return to a more confrontational nature.The interview with Paul Tingen regarding American Doll Posse can be found here Like its predecessor, American Doll Posse debuted at #5 on the Billboard 200.

During her tenure with Epic Records, Amos also released a retrospective collection titled Tales of a Librarian (2003) through her former label, Atlantic Records; a two-disc DVD set Fade to Red (2006) containing most of Amos's solo music videos, released through the Warner Bros. reissue imprint Rhino; a five disc box set titled A Piano: The Collection (2006), celebrating Amos's 15 year solo career through remastered album tracks, remixes, alternate mixes, demos, and a string of unreleased songs from album recording sessions, also released through Rhino; and numerous official bootlegs from two world tours, The Original Bootlegs (2005) and Legs & Boots (2007) through Epic Records.

Universal Republic years (2008–present)

In May 2008, Amos announced that, due to creative and financial disagreements with Epic Records, she had negotiated an end to her contract with the record label, and would be operating independently of major record labels on future work. In September of the same year, Amos released a live album and DVD, Live at Montreux 1991/1992, through Eagle Rock Entertainment, of two performances she gave at the Montreux Jazz Festival very early on in her career while promoting her debut solo-album, Little Earthquakes. By December, after a chance encounter with chairman and CEO of Universal Music Group, Doug Morris, Amos signed a "joint venture" deal Universal Republic Records.

Abnormally Attracted to Sin, Amos's tenth solo studio-album and her first album released through Universal Republic, was released in May 2009 to mostly positive reviews. The album debuted in the top 10 of the Billboard 200, making it the Amos' seventh album to do so. Abnormally Attracted to Sin, admitted Amos, was a "personal album", not a conceptual one. Continuing her distribution deal with Universal Republic, Amos released Midwinter Graces, her first seasonal album, in November of the same year. The album features reworked versions of traditional carols, as well as original songs written by Amos.

During her contract with the label, Amos recorded vocals for two songs for David Byrne's collaboration album with Fatboy Slim, entitled Here Lies Love, which was released in April 2010. In July of the same year, the DVD Tori Amos- Live from the Artists Den was released exclusively through Barnes & Noble.

After a brief tour from June to September 2010, Amos released the highly exclusive live album "From Russia With Love" in December the same year, recorded live in Moscow on 3 September 2010. The limited edition set included a signature edition Lomography Diana F+ camera, along with 2 lenses, a roll of film and 1 of 5 photographs taken of Tori during her time in Moscow. The set was released exclusively through toriamos.com and only 2000 were produced. It is currently unknown as to whether the album will receive a mass release.

Currently, Amos is writing the music for Samuel Adamson's musical adaptation of the George MacDonald story The Light Princess for the Royal National Theatre, which is expected to debut in 2012, as well as on her own new project.

Discography

To date, Amos has released eleven studio albums throughout her solo career, nine of which were self-produced.

* Little Earthquakes (1992)

* Under The Pink (1994)

* Boys For Pele (1996)

* From the Choirgirl Hotel (1998)

* To Venus and Back (1999)

* Strange Little Girls (2001)

* Scarlet's Walk (2002)

* The Beekeeper (2005)

* American Doll Posse (2007)

* Abnormally Attracted to Sin (2009)

* Midwinter Graces (2009)

Additionally, Amos has released over 30 singles, over 60 B-sides, and has contributed to nine film soundtracks, including Higher Learning (1995), Great Expectations (1998) and Mission: Impossible II (2000) among others.

Tours

Amos, who has been performing in bars and clubs from as early as 1976 and under her professional name as early as 1991 has performed more than 1,000 shows since her first world tour in 1992. In 2003, Amos was voted fifth best touring act by the readers of Rolling Stone magazine. Her concerts are notable for their changing set lists from night to night.

; Little Earthquakes Tour : Amos's first world tour began on January 29, 1992 in London and ended on November 30, 1992 in Auckland. She performed solo with a Yamaha CP-70 unless the venue was able to provide a piano. The tour included 142 concerts around the globe.

; Under the Pink Tour : Amos's second world tour began on February 24, 1994 in Newcastle upon Tyne and ended on December 13, 1994 in Perth, Western Australia. Amos performed solo each night on her iconic Bösendorfer piano, and on a pianino during "Bells for Her". The tour included 181 concerts.

; Dew Drop Inn Tour : The third world tour began on February 23, 1996 in Ipswich, England, and ended on November 11, 1996 in Boulder. Amos performed each night on piano, harpsichord, and harmonium, with Steve Caton on guitar on some songs. The tour included 187 concerts.

; Plugged '98 Tour : Amos's first band tour. Amos, on piano and Kurzweil keyboard, was joined by Steve Caton on guitar, Matt Chamberlain on drums, and Jon Evans on bass. The tour began on April 18, 1998 in Fort Lauderdale and ended on December 3, 1998 in East Lansing, Michigan, including 137 concerts.

; Five and a Half Weeks Tour / To Dallas and Back : Amos's fifth tour was North America–only. The first part of the tour was co-headlining with Alanis Morissette and featured the same band and equipment line-up as in 1998. Amos and the band continued for eight shows before Amos embarked on a series of solo shows. The tour began on August 18, 1999 in Fort Lauderdale, Florida and ended on December 9, 1999 in Denver, including 46 concerts.

; Strange Little Tour : This tour was Amos's first since becoming a mother in 2000 and her first tour fully solo since 1994 (Steve Caton was present on some songs in 1996). It saw Amos perform on piano, Rhodes piano, and Wurlitzer electric piano, and though the tour was in support of her covers album, the set lists were not strictly covers-oriented. Having brought her one-year-old daughter on the road with her, this tour was also one of Amos's shortest ventures, lasting just three months. It began on August 30, 2001 in London and ended on December 17, 2001 in Milan, including 55 concerts.

; On Scarlet's Walk / Lottapianos Tour : Amos's seventh tour saw her reunited with Matt Chamberlain and Jon Evans, but not Steve Caton. The first part of the tour, which featured Amos on piano, Rhodes, and Wurlitzer, was six months long and Amos went out again in the summer of 2003 for a tour with Ben Folds opening. The tour began on November 7, 2002 in Tampa and ended on September 4, 2003 in West Palm Beach, featuring 124 concerts. The final show of the tour was filmed and released as part of a DVD/CD set titled Welcome to Sunny Florida (the set also included a studio EP titled Scarlet's Hidden Treasures, an extension of the Scarlet's Walk album).

; Original Sinsuality Tour / Summer of Sin : This tour began on April 1, 2005 in Clearwater, Florida, with Amos on piano, two Hammond B-3 organs, and Rhodes. The tour also encompassed Australia for the first time since 1994. Amos announced at a concert on this tour that she would never stop touring but would scale down the tours. Amos returned to the road in August and September for the Summer of Sin North America leg, ending on September 17, 2005 in Los Angeles. The tour featured "Tori's Piano Bar", where fans could nominate cover songs on Amos's website which she would then choose from to play in a special section of each show. One of the songs chosen was the Kylie Minogue hit "Can't Get You Out of My Head", which Amos dedicated to her the day after Minogue's breast cancer was announced to the public. Other songs performed by Amos include The Doors' "People are Strange", Depeche Mode's "Personal Jesus", Joni Mitchell's "The Circle Game", Madonna's "Live to Tell" and "Like a Prayer", Björk's "Hyperballad", Led Zeppelin's "When the Levee Breaks" (which she debuted in Austin, Texas, just after the events of Hurricane Katrina), Kate Bush's "And Dream of Sheep" and Crowded House's "Don't Dream It's Over", dedicating it to drummer Paul Hester who had died a week before. The entire concert tour featured 82 concerts, and six full-length concerts were released as The Original Bootlegs.

; American Doll Posse World Tour : This was Amos's first tour with a full band since her 1999 Five and a Half Weeks Tour, accompanied by long-time band mates Jon Evans and Matt Chamberlain, with guitarist Dan Phelps rounding out Amos's new band. Amos's equipment included her piano, a Hammond B-3 organ, and two Yamaha S90 ES keyboards. The tour kicked off with its European leg in Rome, Italy on May 28, 2007, which lasted through July, concluding in Israel; the Australian leg took place during September; the North American leg lasted from October to December 16, 2007, when the tour concluded in Los Angeles. Amos opened each show dressed as one of the four non-Tori personae from the album, then Amos would emerge as herself to perform for the remaining two-thirds of the show. The entire concert tour featured 93 concerts, and 27 full-length concerts of the North American tour were released as official bootlegs in the Legs and Boots series.

; Sinful Attraction Tour : For her tenth tour, Amos returned to the trio format of her 2002 and 2003 tours with bassist Jon Evans and drummer Matt Chamberlain while expanding her lineup of keyboards by adding three M-Audio MIDI controllers to her ensemble of her piano, a Hammond B-3 organ, and a Yamaha S90 ES keyboard. The North American and European band tour began on 10 July 2009 in Seattle, Washington and ended in Warsaw on 10 October 2009. A solo leg through Australia began in Melbourne on 12 November 2009 and ended in Brisbane on 24 November 2009. The entire tour featured 63 concerts.

Award nominations

In print

Released in conjunction with The Beekeeper, Amos co-authored an autobiography with rock music journalist Ann Powers entitled Piece by Piece (2005). The book's subject is Amos's interest in mythology and religion, exploring her songwriting process, rise to fame, and her relationship with Atlantic Records.

Comics released Comic Book Tattoo (2008), a collection of comic stories, each based on or inspired by songs recorded by Amos. Editor Rantz Hoseley worked with Amos to gather 80 different artists for the book, including Pia Guerra, David Mack, and Leah Moore.

Other publications include Tori Amos: Lyrics (2001) and an earlier biography, Tori Amos: All These Years (1996). Additionally, Amos and her music have been the subject of numerous official and unofficial books, as well as academic criticism.

Personal life

Amos is the third child of Rev. Dr. Edison and Mary Ellen Amos. She was born at the Old Catawba Hospital in Newton, North Carolina, during a trip from their Georgetown home in Washington, D.C.. Her maternal grandparents were of mixed European and Eastern Cherokee ancestry; of particular importance to her as a child was her grandfather, Calvin Clinton Copeland, who was a great source of inspiration and guidance to her as a young child, offering a more pantheistic spiritual alternative to her father and paternal grandmother's traditional Christianity.

Early in her professional career, Amos befriended author Neil Gaiman, who became a fan after she referenced him in the song "Tear In Your Hand" and also in print interviews. Although created before the two met, the character Delirium from Gaiman's The Sandman series (or even her sister Death) is inspired by Amos; Gaiman has stated that "they steal shamelessly from each other". She wrote the foreword to his collection Death: The High Cost of Living; he in turn wrote the introduction to Comic Book Tattoo. Gaiman is godfather to her daughter and a poem written for her birth, Blueberry Girl, was published as a children's book of the same name in 2009.

In June 1994, Amos co-founded RAINN, The Rape, Abuse and Incest National Network, a toll-free help line in the US connecting callers with their local rape crisis center. Amos, herself a survivor of sexual assault, was seen as unlocking the silence of her assault through her music; thus "Unlock the Silence" went on to become a year-long campaign for RAINN when Amos became a national spokesperson for the organization. By the summer of 2006, RAINN had received its one millionth caller and the organization's success has led to it ranking in "America's 100 Best Charities" by Worth, and one of the "Top 10 Best Charities" by Marie Claire.

Amos married English sound engineer Mark Hawley on February 22, 1998. Their only child, a daughter named Natashya "Tash" Lórien Hawley, was born on September 5, 2000. They divide their time between Sewall's Point in Florida and Cornwall in England.

Notes and references